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This is immensely helpful. Thank you. The 96khz thing has been ruining my livestreams. Will try this way now!

I'm one of those electrical engineers that finds irate opposition if I say speakers, and pickups for that matter, are one of the biggest scam products in the equipment industry. In that, what I mean is with a modified tone stack or an EQ plugged into your amp's loop, you can achieve the sound of virtually any speaker you desire. What then becomes of concern is how big is the magnet, what is the wattage, *and how well do they handle the top and bottom of the curve when you put significant volume through them.* Obviously, cloning the response curve through circuit architecture can't do jack shit to fix a speaker that distorts in those bandwidth ranges when you crank up the volume, and there is of course a "color" to a speaker that none of that will get rid of. I have a mess of Celestion Rocket 50's when they licensed the design to Crate and were manufactured under SLM. *One of the worst speakers I've ever heard! lol* After I beat the shit out of them trying to blow them though, it was a whole other animal and the break-in effect dramatically improved performnace. To this day though, countless owners hate them and have never broken them in. I just got 4 of them in a 30 year old cabinet and I couldn't put my bass passed 3 at medium volume. About 10 days later though, I could dime it. The pickup matter, well, it's not as much of a tangled web to break down and validate. Just as every expensive speaker is actually made for under $10 a piece, it's typical even $100 humbuckers with 1st world labor still don't break the $10 point either. While many hate actives, the right active circuit results in the pickup still sounding 100% passive, and you can completely revoice them with RC filters that can become incredibly elaborate. The pickup scam is definitely much worse than the speakers, but still relative, if the speaker has a nice fat magnet on it and decent wattage, you can retone it to whatever you desire.

Excellent tutorial! I will be be watching all then move on to the Ultimate Guide. Thanks - really appreciated.

Hi Adam, after watching your tutorial I decided to give reaper a try. It will record my guitar but it will NOT play back. Tried everything or so I thought. Sound meters on reaper shows that the sound is there and I have tested my monitor separately and they are working. Can you help? Thank you

I wonder if there is a filter to build to add to the chain before the computer interface channels so the negative effect doesn’t or occur at all, then 48 would be fine

I have the original ns10 i think the replica sounds more midrange then the ns10

when i choose a reacomp effect i can't hear the effect. i think i've tried moving every slider possible. is there any way anyone could help me?

That was an hour well spent! Alway learn something watching Glenn. Hell, everything I've learned about recording I learned from Fricker. Cheers!

Very well done video. Great information !!! Thank You

Hi Adam thank you so very kindly for all of your videos. I’m new to the recording game I have a PreSonus SL 12 mixer and a PreSonus IO Station 24c and Reaper how do I make my mixer , mix and monitor Reaper and my IO Station 24c control the track functions in Reaper please

Simply said, higher sample rates gives you a higher spectral head room to avoid aliasing.

good

Good lord, you are good at this. Breaking things down to the level of a beginner, and knowing what it is that a beginner will need to know, is a genuinely rare skill and it takes a unique person to do it well, while still knowing how to work at a high level. It's incredibly easy to forget all the thousands of baby steps it took to get to a high level of skill; most of the time, forgetting those steps is actually vital to becoming good at something, because those steps take up valuable space in our minds, space that is better filled with our workflow, new ideas, advanced techniques, etc, and we rely on muscle memory for the basics. Being a good teacher is so much more than just being good at the subject you want to teach. You are an astoundingly clear teacher.

You seem to be the only one on UA-cam with a Stam 1073 5T (with tube??) I need to hear that thing pushed to distortion with drums or what not....I can't believe Stan doesn't have any videos

Why don't you tell me the model name string so we know?

Lost my hearing trying to hear the difference. Thanks.

so if the original mules were recorded at 24b 28Khz and you drag them into protools they then have to be upscaled to work in a 24b 96k session yes. So its not as straight forward as your pointing out. Track at 96Khz and then mix at 96Khz would obviously be the best way but you didn't mention the original tracks bit rate or sampling Freq

For anyone wanting a Windows based one rather than Linux. The rog ally handheld runs windows

Perfect speaker for upgrading a Peavey Bandit and adding that Celestion midrange character. Aesthetically matches the redstripe bandit perfectly

Great video, very informative and excellent timing as i’m about to upgrade my gear

ukk I'm tired of these just guitar and drum bands i want something new

Just not the same The inter room in the room ,volume issues and all Are essential if you ask me

so now im wondering did two note just make the preamp obsolete with there own two note Opus??

Doesn't a balanced single speaker take 3 wires? I'm calling BS on balanced.

thinking of buying one as my mic preamp + a wa76 comp into my scarlett 18i20.. hope this will get some decent quality

sighh... these amps sound much better than this. theyre ballsy as heck. this demo is mediocre at best

Got one! Love it

Dude the way you explained is good but be careful with yr hands & arms movements, just a bit! It’s better if you are holding the box😄 anyway thank you!

Well, I really wanted the Halo until I watched this Video.

What have I learned? I’m a presence whore. Every time something had more presence, that’s what I wanted xD Edit: except for the very last example lol. Preferred 8 ohm modern metal to 16 ohm modern metal xD

Wait, I can use this on my Steam Deck?

It is way more open! I am listening on my macbook and I think the difference is surprisingly big. But then I failed the last test so whatever I guess :P

she asked for the fifth interval, and they gave her the fifth harmonic in the harmonic series. unbelievably high pitched :(

WOW what a beautiful sound!!!

Awesome video! I was very surprised at some of the sounds. I use vintage 30's and g12h creambacks. I really really like the hemp back! never heard of that speaker before. Think it will pair really well with my creamback or lynchback. Killer killer work by you and all the guitarists you brought together.

im having audio troubles. whenever i try to connect my usb mic, the audio wont come through. i have it docked to my monitor but none of the outputs go through the speakers. any help is appreciated.

The difference between 8 ohm an 16 ohm v30s is incredible. The sound like different speakers.

Good vid! This would work tracking a mono source like a vocal or guitar with one mic or would it have to be stereo?

Thanks for your help, Adam. I owe you one!

Been using one of these at Green Room rehearsal studio in Witney and it’s my favourite amp there. I assumed it was a valve amp until the owner told me it’s solid state. I tend to max the bass and resonance as I like a fat sound. Like you say, you can hit the clean channel with boost pedals and it’ll react like a valve amp.

How much something like this cost bro?

yes, and now he owns an expensive console wich costs more then an old dumble amp and makes ALL the difference. thanks from saving us from overhyped gear glenn.

Man, so much resourceful content ! Thank you so much.

Agreed. Well worth the money

Wish I could afford two cabs, a good Marshall 1960B for the Creambacks for clean stuff and a Mesa Standard/Traditional with V30's for dirty.

Pleeeeeaaaaaseeeeee do a video of reaper running on the base 14 inch M3 MacBook Pro with 16 gigs of ram literally no one has covered it anywhere!

Super vid Adam. But what is procedure if you already have a midi track full of all the drums and you want to split them into their respective individual tracks. I guess you could copy/paste each drum pattern line from the midi editor, but that would/could take a lot of time and also be very prone to error. So is there a better way or maybe a plugin to do this separation of an existing midi drum track. Thks for tutorials, about a week into Reaper now, nearly gave up a few times but I am still here, coming from being a very occasional user of Cakewalk which is now no longer free as from now, and with the plethora of DAW's out there I somehow latched on to trying Reaper, so will be watching more of your vids if I do stick with the quirks it has. Kind Rgds. Keep up the good work.

Sounds great here! Question though, did you notice any problem with the lack of a presence control? Is the amp inherently dark or it's bright enough to cut through a band mix? I'm debating between this one of the Kraken Mk2 ;) I love that this one has 4 channels, but on the other hand the Kraken Mk2 has a presence knob, a presence switch and also a focus switch which tighten the bass.

Yo I've migrated over from Ableton. I'm manually programming a drum track and every time I click to lay down MIDI triggers this bloody blue marker sets itself to where I've been clicking. And then instead of playing from the beginning of the loop when I press play it starts from the blue marker. It's really annoying and I cannot see a point to it. What the hell is it and how do I use it/get rid of it???

Is it possible to use this setup,with a headrush 108 for home practice?